{"id":4756,"date":"2014-05-22T20:51:41","date_gmt":"2014-05-23T01:21:41","guid":{"rendered":"http:\/\/patriciavandalen.com\/en\/?p=4756"},"modified":"2022-08-23T16:26:37","modified_gmt":"2022-08-23T20:26:37","slug":"for-now-contemporary-venezuela-art-of-the-miami-diaspora","status":"publish","type":"post","link":"https:\/\/patriciavandalen.com\/en\/for-now-contemporary-venezuela-art-of-the-miami-diaspora\/","title":{"rendered":"For Now: Contemporary Venezuela Art of the Miami Diaspora"},"content":{"rendered":"

\"\"<\/a><\/p>\n


\n“For Now: Contemporary Venezuelan Art of the Miami Diaspora”<\/strong>
\nCoral Gables Museum
\nDecember 2019-March 2020<\/p>\n

For Now, Coral Gables Museum<\/span><\/em><\/a><\/p>\n

 <\/p>\n

\u201cEstaciones \/ Stations\u201d<\/strong> are representations of four landscapes through chromatic structures derived from trips that, through relationships of affection, I made to Marnay-sur-Seine (2016), Les Masses (2017), New Mexico (2019) and Iznik (2019 ). These displacements prompted me to develop a new body of work, in which the layers of papers – painted, superimposed, and stapled – assume a chromatic similarity with the different places visited and the staples as a way to hold these \u201ccollages\u201d without glue, proclaim the impossibility of the permanent, also demonstrating the mechanical and bureaucratic practice of filling documents to traverse these new territories.<\/p>\n

Each piece measures 1 m x 1 m, and their titles are:
\n(From left to right and up to bottom)
\nMarnay-sur-Seine Station, Les Masses Station, New Mexico Station, and Iznik Station
\n2019<\/p>\n

Patricia Van Dalen, 2019<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

“Estaciones \/ Stations”<\/strong>
\n2019
\nAcrylic, hot-pressed 100% cotton paper, stainless steel, and copper staples
\n40\u201d x 40\u201d (2.00 x 2.00 mt)<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

For Now: Contemporary Venezuelan Art of the Miami Diaspora<\/strong>
\n2019
\nCoral Gables Museum<\/p>\n","protected":false},"author":3,"featured_media":4757,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14,3,2],"tags":[],"_links":{"self":[{"href":"https:\/\/patriciavandalen.com\/en\/wp-json\/wp\/v2\/posts\/4756"}],"collection":[{"href":"https:\/\/patriciavandalen.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/patriciavandalen.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/patriciavandalen.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/patriciavandalen.com\/en\/wp-json\/wp\/v2\/comments?post=4756"}],"version-history":[{"count":15,"href":"https:\/\/patriciavandalen.com\/en\/wp-json\/wp\/v2\/posts\/4756\/revisions"}],"predecessor-version":[{"id":6439,"href":"https:\/\/patriciavandalen.com\/en\/wp-json\/wp\/v2\/posts\/4756\/revisions\/6439"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/patriciavandalen.com\/en\/wp-json\/wp\/v2\/media\/4757"}],"wp:attachment":[{"href":"https:\/\/patriciavandalen.com\/en\/wp-json\/wp\/v2\/media?parent=4756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/patriciavandalen.com\/en\/wp-json\/wp\/v2\/categories?post=4756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/patriciavandalen.com\/en\/wp-json\/wp\/v2\/tags?post=4756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}